Video First Lady Michele Obama Duet with James Corden has been release.
Rabu, 27 Juli 2016
Selasa, 19 Juli 2016
Anti Aging Clinic
Savety Anti Aging with hormon Therapy since 3 years ago in Jakarta. Now the celebrity no need going to Singapore or Switzserland for anti aging therapy because there is same Clinic in Jakarta.
Senin, 18 Juli 2016
kartika Affandi The Famous Artist from Indonesia
Kartika Affandi-Koberl born in Jakarta in 1934. She is the daughter of Affandi and Maryati, both of them are artists. Kartika was engaged to a young Javanese artists, Saptohudoyo, at the age of fourteen, and when she was seventeen years old they were married. They had eight children.
Before 1980, Kartika never experienced formal art education. From the age of seven, Affandi give a lesson how to paint with her fingers and the tube directly on the canvas. Each color mixing is done on the hands and wrists. Kartika did not have a permanent studio like Affandi, she prefers to paint outside in the village where he interacted directly with subjects. This is in contrast to most contemporary Indonesian painters, who work in their studios drawing with ideas, feels, fantasies, images, memory, photo or sketch.
In the world of modern art was born in 1930, in which males are still the dominant actor, Kartika is one of a small group of women from the mid-1980s has successfully showcase their work on a regular basic and get the critical recognition. Even Kartika art emerged has its own unique character. So that peoples can distinguish between Affandi art paint and paintings of Kartika Affandi.
Early second career artist Kartika occurred around 1980, when she learned paintings restorers and composition of color in Austria to allow her improve faded or paint. In Austria, solitude and reflection pave the way to express her feelings in her paintings.
Before 1980, Kartika never experienced formal art education. From the age of seven, Affandi give a lesson how to paint with her fingers and the tube directly on the canvas. Each color mixing is done on the hands and wrists. Kartika did not have a permanent studio like Affandi, she prefers to paint outside in the village where he interacted directly with subjects. This is in contrast to most contemporary Indonesian painters, who work in their studios drawing with ideas, feels, fantasies, images, memory, photo or sketch.
In the world of modern art was born in 1930, in which males are still the dominant actor, Kartika is one of a small group of women from the mid-1980s has successfully showcase their work on a regular basic and get the critical recognition. Even Kartika art emerged has its own unique character. So that peoples can distinguish between Affandi art paint and paintings of Kartika Affandi.
Early second career artist Kartika occurred around 1980, when she learned paintings restorers and composition of color in Austria to allow her improve faded or paint. In Austria, solitude and reflection pave the way to express her feelings in her paintings.
Minggu, 17 Juli 2016
Affandi - The Grand Master Of Art From Indonesia
Affandi (1907 - May 23, 1990) is an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor in the local sugar mill, Affandi finishing high school in Jakarta to fulfill his desire to become an artist. Beginning in 1934, Affandi began to seriously study painting. He married Maryati, a fellow artist. His daughter Kartika also became an artist.
In 1950, Affandi began to make paintings expressionist. At the time of his first grandson was born (1953) began a new style of painting with a direct hit from the paint tube of her. He came across this technique by accident, when he intends to draw the line. When he lost his temper when he was looking for a lost pencil, he applied paint directly from the tube of her. The resulting effect, because he knows, is that the painted objects look more vivid. He also felt more freedom to express his feelings when he used his own hands, instead of a paint brush. In particular, he has felt same to Vincent van Gogh.
Like most contemporary of Indonesia, Affandi grew up disconnected from the mainstream of modern art. Not until the late 1930s that the first exhibition of major Western artists - from Gauguin to Kandinsky and Picasso - was held in Batavia (now Jakarta). Affandi particularly fascinated by Javanese wayang, he toured with his family to Bandung and then to Batavia, honing skills of drawing and then painting with oil paints. By the time he began painting seriously in 1940, sometimes a painter, guard cinema tickets, collectors, and painted billboards. He will keep the remaining paint on the poster and other work and paint landscapes. Soon he began to pick with the consent of his wife, he decided to devote the first ten days of each month for the trade and the remaining twenty days to paint.
One day he saw a magazine art from London. He was impressed with the Impressionist, by Goya and Edvard Munch, and the previous master, Breughel, Hieronymus Bosch and Botticelli. Their influence is starting to show in his paintings. But the grim reality unpleasant experiences about Affandi imprint on his heart, in the town of Yogjakarta one day, after the Pacific War, Affandi sitting paint market atmosphere in which the people who are disappointed and hard in a state of starvation and half-naked. Angry at his indifference seemed Affandi, angry youths were throwing dust in the artist and the canvas and shouted: "This guy is crazy! .. We were naked and starving, he painted us on canvas and create a painting that bad that we can not understand"
The year's most creative natural Affandi in India, where he traveled and painted from 1949 to 1951. From there he went to Europe, showing his paintings in major cities (Paris, London, Brussels, Rome). He has visited the United States three times, teaches at Ohio State University and a mural at the East-West Center in Hawaii. He has shown also in São Paulo Biennale and traveling through Asia, and is planning to travel around the world, to do a series of paintings for an art collector in Japan.
As a famous artist, Affandi participated in various exhibitions abroad. In addition to India, he also displayed his works in the biennale in Brazil (1952), Venice (1954), and won an award there), and São Paulo (1956). In 1957, he received a scholarship from the government of the United States to study art education. He was appointed as an Honorary Professor of the field of painting at Ohio State University in Columbus. In 1974, he received an honorary doctorate from the University of Singapore, Peace Award from the foundation Dag Hammarskjoeld in 1977, and the title of Grand Maestro in Florence, Italy.
In 1950, Affandi began to make paintings expressionist. At the time of his first grandson was born (1953) began a new style of painting with a direct hit from the paint tube of her. He came across this technique by accident, when he intends to draw the line. When he lost his temper when he was looking for a lost pencil, he applied paint directly from the tube of her. The resulting effect, because he knows, is that the painted objects look more vivid. He also felt more freedom to express his feelings when he used his own hands, instead of a paint brush. In particular, he has felt same to Vincent van Gogh.
Like most contemporary of Indonesia, Affandi grew up disconnected from the mainstream of modern art. Not until the late 1930s that the first exhibition of major Western artists - from Gauguin to Kandinsky and Picasso - was held in Batavia (now Jakarta). Affandi particularly fascinated by Javanese wayang, he toured with his family to Bandung and then to Batavia, honing skills of drawing and then painting with oil paints. By the time he began painting seriously in 1940, sometimes a painter, guard cinema tickets, collectors, and painted billboards. He will keep the remaining paint on the poster and other work and paint landscapes. Soon he began to pick with the consent of his wife, he decided to devote the first ten days of each month for the trade and the remaining twenty days to paint.
One day he saw a magazine art from London. He was impressed with the Impressionist, by Goya and Edvard Munch, and the previous master, Breughel, Hieronymus Bosch and Botticelli. Their influence is starting to show in his paintings. But the grim reality unpleasant experiences about Affandi imprint on his heart, in the town of Yogjakarta one day, after the Pacific War, Affandi sitting paint market atmosphere in which the people who are disappointed and hard in a state of starvation and half-naked. Angry at his indifference seemed Affandi, angry youths were throwing dust in the artist and the canvas and shouted: "This guy is crazy! .. We were naked and starving, he painted us on canvas and create a painting that bad that we can not understand"
The year's most creative natural Affandi in India, where he traveled and painted from 1949 to 1951. From there he went to Europe, showing his paintings in major cities (Paris, London, Brussels, Rome). He has visited the United States three times, teaches at Ohio State University and a mural at the East-West Center in Hawaii. He has shown also in São Paulo Biennale and traveling through Asia, and is planning to travel around the world, to do a series of paintings for an art collector in Japan.
As a famous artist, Affandi participated in various exhibitions abroad. In addition to India, he also displayed his works in the biennale in Brazil (1952), Venice (1954), and won an award there), and São Paulo (1956). In 1957, he received a scholarship from the government of the United States to study art education. He was appointed as an Honorary Professor of the field of painting at Ohio State University in Columbus. In 1974, he received an honorary doctorate from the University of Singapore, Peace Award from the foundation Dag Hammarskjoeld in 1977, and the title of Grand Maestro in Florence, Italy.
Jumat, 15 Juli 2016
Cak Dance, Bali,Borobudur,Prambanan,Indonesia
Early times Cak dance was the ritual repel disease outbreak in a village. The dancer only singing some words 'Cak' like choir, they are not wearing accessories like brethless, nackles,ring,earing and more jewelry. After Walter Spies colaborated with local Coreographer Wayan Limbak, both of them combining elements of story from Ramayana with Ramayana dancer in Cak dance Ritual.
Kecak was originally pure trance ritual accompanied by male chorus. Walter Spies, a German painter and musician,in 1930 became deeply interested in the ritual while living in Bali. He adapted it as a drama, based on the Hindu Ramayana and including dance, intended for performance.
This is an example of what James Clifford describes as part of the "modern art-culture system" in which, "the West or the central power adopts, transforms, and consumes non-Western or peripheral cultural elements, while making 'art,' which was once embedded in the culture as a whole, into a separate entity.". Spies worked with Wayan Limbak, who popularized the dance by arranging for performances by Balinese groups touring internationally. These tours have helped make the kecak internationally known.
Student body of the music department approximately 68 of high school students attending the Governors California State summer school of arts perform Balinesse Kecak.
Leader : Cliff De Arment, singer : Maria Bodman, videographer : Rychard Cooper
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